Color and Design in Huck Lace Towels - Medina Spinners & Weavers Guild
Jun
13
to Jun 14

Color and Design in Huck Lace Towels - Medina Spinners & Weavers Guild

  • Medina Presbyterian Church (map)
  • Google Calendar ICS

The structure of Huck Lace provides a treasure trove of design for weavers. It is a shaft-efficient weave structure where an 8-shaft loom can produce six blocks of design; and a 4-shaft loom can produce a myriad of different ways to combine 16 different textures of warp/weft floats with plain weave. Through Powerpoint Presentations, weavers will learn how “blocks” or units of huck lace are threaded on four and eight shafts, and how they can be combined to expand design possibilities. Discussions and Design Sessions will focus on converting a profile draft into a threading and treadling plan, and how literally thousands of designs can be created within a single threading by changing the tie-up. Participants will use printed Design Pages, Transparent Overlays, and a Huck Lace Template from Neilson’s book … An Exaltation of Blocks … to explore thousands of design possibilities for 6-block Huck Lace.

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Kongoh Gumi as Influencer of Naiki and Naiki Gaeshi - Braids 2025 Cleveland OH
Jun
19
to Jun 20

Kongoh Gumi as Influencer of Naiki and Naiki Gaeshi - Braids 2025 Cleveland OH

  • Case Western Reserve University (map)
  • Google Calendar ICS

Kongō Gumi is a very strong, 16-element braid whose 1,160 layouts can be used to create never-before-seen patterns in both Naiki and Naiki Gaeshi. The initial set-up for the two braids is identical where sixteen elements are arranged into eight pairs on the Marudai mirror, but the moves to make the braids differ. Naiki is a hollow braid which is flattened, whereas Kongō Gumi is a very solid round braid. If the movements of Naiki are repeated twice, a round braid known as Naiki Gaeshi emerges. The patterns differ dramatically between flat Naiki and round Naiki Gaeshi. In this workshop, braiders will make two samplers starting with an 8-element braid in the middle of the elements. The braid will be folded in half to form a loop. The remaining eight tama will be attached to continue braiding, using Kongō layouts to see how they affect both versions of Naiki.

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Color and Design in Huck Lace Towels - MAFA 2025 Conference
Jun
26
to Jun 29

Color and Design in Huck Lace Towels - MAFA 2025 Conference

  • Millersville University of Pennsylvania (map)
  • Google Calendar ICS

The structure of Huck Lace provides a treasure trove of design for weavers. It is a shaft-efficient weave structure where an 8-shaft loom can produce six blocks of design; and a 4-shaft loom can produce a myriad of different ways to combine 16 different textures of warp/weft floats with plain weave.Through Powerpoint Presentations, weavers will learn how “blocks” or units of huck lace are threaded on four and eight shafts, and how they can be combined to expand design possibilities. Discussions and Design Sessions will focus on converting a profile draft into a threading and treadling plan, and how literally thousands of designs can be created within a single threading by changing the tie-up. Participants will use printed Design Pages, Transparent Overlays, and a Huck Lace Template from Neilson’s book … An Exaltation of Blocks … to explore thousands of design possibilities for 6-block Huck Lace.

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Introduction to Kumihimo Using the Foam Plate and Disc - New England Weavers Seminar
Jul
10
9:00 AM09:00

Introduction to Kumihimo Using the Foam Plate and Disc - New England Weavers Seminar

The square Foam Plate and the round Foam Disk are the perfect introductory tools for learning how to make Kumihimo braids. Using petite satin cord, the morning session will focus on 8-element braid structures: a square braid called Maru Genji, a round braid called Edo Yatsu Gumi, and a flat braid called Hira Kara Gumi. The afternoon session will introduce braiders to a 16-element braid structure called Kongō Gumi using four different colors of petite satin cord, with the option of selecting from eight different two-color designs for a second braid. The result of the workshop will be five unique key rings demonstrating the variety of braid structures.

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Color and Design in Huck Lace Towels - New England Weavers Seminar
Jul
11
to Jul 12

Color and Design in Huck Lace Towels - New England Weavers Seminar

  • Westfield State University (map)
  • Google Calendar ICS

The structure of Huck Lace provides a treasure trove of design for weavers. It is a shaft-efficient weave structure where an 8-shaft loom can produce six blocks of design; and a 4-shaft loom can produce a myriad of different ways to combine 16 different textures of warp/weft floats with plain weave.Through Powerpoint Presentations, weavers will learn how “blocks” or units of huck lace are threaded on four and eight shafts, and how they can be combined to expand design possibilities. Discussions and Design Sessions will focus on converting a profile draft into a threading and treadling plan, and how literally thousands of designs can be created within a single threading by changing the tie-up. Participants will use printed Design Pages, Transparent Overlays, and a Huck Lace Template from Neilson’s book … An Exaltation of Blocks … to explore thousands of design possibilities for 6-block Huck Lace.

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Color and Design in Huck Lace Towels - Portland Handweavers Guild
Nov
14
to Nov 15

Color and Design in Huck Lace Towels - Portland Handweavers Guild

  • Multnomah Art Center (map)
  • Google Calendar ICS

Participants will use printed Design Pages, Transparent Overlays, and a Huck Lace Template from Neilson’s book … An Exaltation of Blocks … to explore thousands of design possibilities for 6-block Huck Lace. The Towel Project will consist of three 4 ½” sections of Huck Lace, each a different color, separated by a one-inch stripe of plain weave. The overall width of the project is 16 ¼” suitable for looms 18” wide or wider.

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"Ripped" About Rep Zoom Lecture - Skagit Valley Weavers Guild
Mar
1
10:00 AM10:00

"Ripped" About Rep Zoom Lecture - Skagit Valley Weavers Guild

This Powerpoint Presentation introduces fiber artists to the weave structure called Warp-faced Rep. Slides include projects woven on 4 to 16 shafts, many which have appeared in Handwoven magazine. See the steps involved in setting up a loom for warp-faced rep, oftentimes referred to by the Swedish word ripsmatta which translates to rep mat. Documentation also includes projects woven by weavers in Rosalie’s Rep workshops taught throughout the country, showing how weavers interpret similar drafts both in patterns and color.

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It's in the Warp: Color and Design in Rep - Tacoma Weavers Guild Workshop
Feb
15
to Feb 16

It's in the Warp: Color and Design in Rep - Tacoma Weavers Guild Workshop

  • St. Andrews Episcopal Church (map)
  • Google Calendar ICS

Learn how “blocks” of rep, threaded on four and eight shafts, can be combined to expand design possibilities. Discussions will focus on profile drafting, use of color, movement of blocks in independent and linked fashion, skeleton tie-ups, different threading systems, and design considerations for4-shaft and multiple harness looms. Weavers will work exclusively on their own loom (4- or 8-shaft) to understand the weave structure of rep, sampling with different weight wefts to create textiles suitable for the table, wall, and floor.

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“Ripped” About Rep - Tacoma Weavers Guild
Feb
14
10:45 AM10:45

“Ripped” About Rep - Tacoma Weavers Guild

  • St. Andrews Episcopal Church (map)
  • Google Calendar ICS

This Powerpoint Presentation introduces fiber artists to the weave structure called Warp-faced Rep. Slides include projects woven on 4 to 16 shafts, many which have appeared in Handwoven magazine. See the steps involved in setting up a loom for warp-faced rep, oftentimes referred to by the Swedish word ripsmatta which translates to rep mat. Documentation also includes projects woven by weavers in Rosalie’s Rep workshops taught throughout the country, showing how weavers interpret similar drafts both in patterns and color.

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It's in the Warp: Color and Design in Warp-Faced Rep
Oct
18
to Oct 20

It's in the Warp: Color and Design in Warp-Faced Rep

The workshop in warp-faced rep introduces weavers to the concept of block design, where two shafts control the color of each block or threading unit. Weavers will design their own color schemes for pattern and background colors and thread their looms from suggested drafts sent prior to the workshop. Weavers will learn how to interpret the profile treadling plans to determine which shafts to raise for the thick weft and thin pick tie-down wefts.

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A Looped Start for 16-element Braiding
Sep
14
9:30 AM09:30

A Looped Start for 16-element Braiding

  • Minneapolis/St. Paul Airport Hilton (map)
  • Google Calendar ICS

This workshop explores a series of different 16-tama braid structures. The workshop is designed for participants familiar with 8-element braid structures who wish to expand their repertoire into 16-tama structures. The braid structures in the study include Kongō Gumi, Naiki, Oimatsu, Tsukushi, Mitake Gumi, Shinonome, Hira Genji, Ishidatami, Chidori, and Sasanami.

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The Lattice Braids of Kongoh Gumi
Sep
12
2:00 PM14:00

The Lattice Braids of Kongoh Gumi

  • Minneapolis/ St. Paul Airport Hilton (map)
  • Google Calendar ICS

A lattice is a grid framework creating diamond- or square-like openings. In 16-element Kongō Gumi braiding, the lattice is created by the eight cords in the North-South and East-West quadrants. How the remaining eight cords are laid out the in the NE-SE and NW-SW quadrants determines the shape of the lattice. Using a foam braiding disk and satin cord, practice making a variety of lattice structures, from regular (symmetric) to irregular (asymmetric) shapes.

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8-Shaft Warp Rep Runner with 2-Block Border Motifs
Jul
15
to Jul 17

8-Shaft Warp Rep Runner with 2-Block Border Motifs

  • Hyatt Regency Wichita (map)
  • Google Calendar ICS

Participants will develop their design skills in warp-faced Rep weave during this class. Using the same threading, weavers will pre-dress their looms. The runner will showcase a series of 4-block motifs with a border displaying 2-block motifs in contrasting colors. Attendees will delve into independent and linked blocks, the development of 4-block designs, and the transformation of profile drafts into threading and treadling plans for symmetric motifs. Additionally, weavers will learn how to develop a skeleton tie-up,

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Kumihimo: From Defense to Decoration
Jul
9
9:00 AM09:00

Kumihimo: From Defense to Decoration

Learn about the history of Japan through the perspective of kumihimo or plaited silk cords. The slides document the development of Japanese plaited cords from fossilized remains in grave mounds to the Samurai era when silk cords laced together a warrior’s armor.  It also explores the current fashion trends using cords as obijime (an integral part of securing the obi and kimono) to decorative neckpieces. Slides include those taken in Japan, the Metropolitan Museum of Art, a professional advertising photographer in Kyoto, the Portland Art Museum, and the 2019 Braid Society Conference in Iga Japan.

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Roman Numerals, Rabbits, and Fudge: The Fibonacci Factor - Complex Weavers Seminar
Jul
8
1:00 PM13:00

Roman Numerals, Rabbits, and Fudge: The Fibonacci Factor - Complex Weavers Seminar

Leonardo Fibonacci, a 13th-century Italian mathematician, introduced a sequence of numbers which has helped weavers and designers create successful stripe proportions.  But what happens if the number of warp ends for a project doesn’t fit neatly into the Fibonacci number sequence?  Learn how to make “Fibonacci Fudge.”  The Roman Numerals and Rabbits are explained in the slide lecture. Weavers will practice the mathematics by making two warp “wrappings”.

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From Eight to Sixteen: Kumihimo Braiding on the Marudai - Conference of Northern California Weavers
Apr
25
to Apr 26

From Eight to Sixteen: Kumihimo Braiding on the Marudai - Conference of Northern California Weavers

  • DoubleTree by Hilton Sonoma (map)
  • Google Calendar ICS

Spend two days with traditional braiding equipment – a Marudai (round stand) and Tama (weighted spools) – to make an 8-element sampler using two colors of synthetic silk. Braids include round, flat, square and oval shapes. Patterns within a braid structure can be varied according to the initial layout. The handout illustrates 25 different patterns.

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It’s in the Warp: Color and Design in Warp-faced Rep - Jockey Hollow Weavers Guild
Apr
4
to Apr 6

It’s in the Warp: Color and Design in Warp-faced Rep - Jockey Hollow Weavers Guild

  • Grace Lutheran Church (map)
  • Google Calendar ICS

Two different colored warps (a pattern and a background colorway) combine with thick and thin weft to form the elements for exploring block design in Warp-faced Rep. Prior to the workshop, participants will be sent drafts for 4- and 8-shaft looms. Weavers will select a draft and pre-thread a loom. Learn how “blocks” of rep can be combined to expand design possibilities. Discussion will focus on profile drafting, use of color, movement of blocks in independent and link fashion, skeleton tie-up, and different threading systems. Weavers will work exclusively on their own loom to understand the weave structure of Rep, sampling with different weight wefts to create textiles suitable for the table, wall, and floor.

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“Ripped” About Rep - Jockey Hollow Weavers
Apr
3
7:00 PM19:00

“Ripped” About Rep - Jockey Hollow Weavers

This Powerpoint Presentation introduces fiber artists to the weave structure called Warp-faced Rep. Slides include projects woven on 4 to 16 shafts, many which have appeared in Handwoven magazine. See the steps involved in setting up a loom for warp-faced rep, oftentimes referred to by the Swedish word ripsmatta which translates to rep mat. Documentation also includes projects woven by weavers in Rosalie’s Rep workshops taught throughout the country, showing how weavers interpret similar drafts both in patterns and color.

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It’s in the Warp: Color and Design in Warp-faced Rep - Florida Tropical Weavers Guild
Mar
15
to Mar 17

It’s in the Warp: Color and Design in Warp-faced Rep - Florida Tropical Weavers Guild

  • Wyndham Orlando Resort & Conference Center (map)
  • Google Calendar ICS

Two different colored warps (a pattern and a background colorway) combine with thick and thin weft to form the elements for exploring block design in Warp-faced Rep. Prior to the workshop, participants will be sent drafts for 4- and 8-shaft looms. Weavers will select a draft and pre-thread a loom. Learn how “blocks” of rep can be combined to expand design possibilities. Discussion will focus on profile drafting, use of color, movement of blocks in independent and linked fashion, skeleton tie-up, and different threading systems. Weavers will work exclusively on their own loom to understand the weave structure of Rep, sampling with different weight wefts to create textiles suitable for the table, wall, and floor.

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Oct
19
to Oct 21

It’s in the Warp: Color and Design in Rep

Salem Fiberarts Guild

Salem, Oregon

Thursday, October 19, 2023 - 9:30 AM - 4:30 PM

Friday, October 20, 2023 - 9:30 am - 4:30 pm

Saturday, october 21, 2023 - 9:30 am - 4:30 pm

Two different colored warps (a pattern and a background colorway) combine with thick and thin weft to form the elements for exploring block design in Warp-faced Rep. Prior to the workshop, participants will be sent drafts for 4- and 8-shaft looms. Weavers will select a draft and pre-thread a loom. Learn ho “blocks” of rep can be combined to expand design possibilities. Discussion will focus on profile drafting, use of color, movement of blocks in independent and link fashion, skeleton tie-up, and different threading systems. Weavers will work exclusively on their own loom to understand the weave structure of Rep, sampling with different weight wefts to create textiles suitable for the table, wall, and floor.

Materials fee: $30 – three coil bound handouts plus materials for a color wrap

Rep Weave Sampler

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Oct
4
11:30 AM11:30

Art Sparks: Edo Yatsu Gumi - S- and Z-Spirals

Learn how to braid the S- and Z-spirals of the 8-element Kumihimo braid known as Edo Yatsu Gumi. A PowerPoint presentation, interspersed with seven brief movies, shows the initial color layouts, plus demonstrates two variations where movements of the braiding elements are doubled and tripled. Learn how to switch easily from S- to Z-spiral or change too one of the variations to create unique designs.

Edo Yatsu Gumi S- and Z-Spirals with Edo Yatsu Gumi 2x

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Rep Runner on Eight Shafts
Jul
20
to Jul 23

Rep Runner on Eight Shafts

  • Worcester State College (map)
  • Google Calendar ICS

The rep runner will feature a series of 4-block motifs in the center, with a border featuring 2-block motifs in opposite colors. The border will be separated from the center designs by solid-color stripes. Weavers will use a series of Design Pages from An Exaltation of Blocks written by Rosalie Neilson to develop their 4-block motifs. (Click on Photo to learn more.)

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Color and Design in Huck Lace Towels
Jun
12
to Jun 14

Color and Design in Huck Lace Towels

  • Riverhouse on the Deschutes (map)
  • Google Calendar ICS

Weavers will learn how “blocks” or units of huck lace are threaded on 4- and 8-shaft looms, and how to combine blocks to create complex patterns. Weavers will convert a 6-block profile drafts into a threading and treadling drafts. Using printed Design Pages and Transparent Overlays from Neilson’s book An Exaltation of Blocks, weavers will learn how to convert 6-block profile drafts into both a threading and treadling draft. (Click on Photo to learn more)

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It's in the Warp: Color and Design in Warp-Faced Rep
May
12
to May 14

It's in the Warp: Color and Design in Warp-Faced Rep

  • The Yadkin Valley Fiber Center (map)
  • Google Calendar ICS

Two different colored warps (a pattern and a background colorway) combine with thick and thin weft to form the elements for exploring block design in Warp-faced Rep. Prior to the workshop, participants will be sent drafts for 4- and 8-shaft looms. Weavers will select a draft and thread a loom prior to workshop. (Click on Photo to learn more.)

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Color and Design in Huck Lace Towels
Mar
25
to Apr 1

Color and Design in Huck Lace Towels

  • Seattle Weavers' Guild (map)
  • Google Calendar ICS

Weavers will learn how “blocks” or units of huck lace are threaded on 4- and 8-shaft looms, and how to combine blocks to create complex patterns. Weavers will convert a 6-block profile drafts into a threading and treadling drafts. Using printed Design Pages and Transparent Overlays from Neilson’s book An Exaltation of Blocks, weavers will learn how to convert 6-block profile drafts into both a threading and treadling draft. (Click on Photo to learn more)

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8-Shaft Rep Runner: A Study in 4-Block Design Using Linked Blocks and Solid Stripes
Feb
24
to Feb 25

8-Shaft Rep Runner: A Study in 4-Block Design Using Linked Blocks and Solid Stripes

  • Las Vegas Fiber Arts Guild (map)
  • Google Calendar ICS

Using the same profile draft, weavers will thread an 8-shaft loom with four or five different colors of 3/2 or 5/2 cotton to design a table runner. The runner will feature a series of 4-block motifs in the center, with a border featuring 2-block motifs in opposite colors. The border will be separated from the center designs by solid-color stripes. (Click on Photo to learn more)

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Huck Lace Towels - A Virtual Workshop in Color and Design (ZOOM)
Feb
11
to Feb 18

Huck Lace Towels - A Virtual Workshop in Color and Design (ZOOM)

  • Weavers Guild of Greater Baltimore (map)
  • Google Calendar ICS

Weavers will learn how “blocks” or units of huck lace are threaded on 4- and 8-shaft looms, and how to combine blocks to create complex patterns. Weavers will convert a 6-block profile drafts into a threading and treadling drafts. Using printed Design Pages and Transparent Overlays from Neilson’s book An Exaltation of Blocks, weavers will learn how to convert 6-block profile drafts into both a threading and treadling draft. (Click on Photo to learn more)

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